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Recent Wine Pleasures

  • 1998 Domaine de Pegau
    Good friends Barry and Lea Stern, brought this perfect, perfectly aged, 11-year-old Chateauneuf du Pape to our home to complement a roast chicken dinner. I know that it is early in the year -- only March -- and crazy to say, but this is likely the Wine of the Year. Already. I can't think of a wine that has brought so much pleasure to the dining table in half-a-dozen years. A complete, compelling beverage, filled with fruit, earth, complexity and elegance. A truly remarkable wine. At its peak. Not one day too young, not one day too old, on either side of Perfection. 100 points.
  • 2001 Vieux Donjon, Chateauneuf du Pape
    The only wine in my life of which I have drunk an entire case and rated every single bottle of the case a near-perfect wine was the 1990 Vieux Donjon. I LOVED THAT CASE. I was apparently justified in my thinking about the 1990 Vieux Donjon; in a recent issue of Robert Parker’s Wine Advocate, he quoted sommelier Doug Mohr of Vidalia restaurant, in Washington D.C., who marveled that “the greatest wine he had ever tasted was the 1990 Vieux Donjon Chateauneuf du Pape.” Gentlemen of the jury, I rest my case. For dinner this week, to complement Carol’s perfectly prepared pappardelle with veal ragout (a variation of a Mario Batali recipe, only she did it better!), I opened the 2001 Vieux Donjon, which offered a near-duplicate experience of the 1990 vintage. Here was a wine of exceptional length, extraordinary quality. This is a perfect wine, a brilliant wine, elegant, rich, balanced. A 100-pointer. There was nothing missing, no flaws, only gemstone brilliance, bright mature fruit, terroir, minerality, and a finish that Burgundian producers would kill to have. The 2001 Vieux Donjon is long gone from retailer shelves, but look for the 2005 and 2006 vintages, which are helluva good. This is a wine that will improve with age; I like to drink my CDPs (Chateauneufs-du-Pape) with not less than seven or eight years on them.
  • 1997 Beringer Private Reserve Cabernet Sauvignon
    I have long respected Ed Sbragia’s work as wine director at Beringer and thought that his best-ever achievement (of many brilliant achievements) was his 2001 Beringer Private Reserve Cabernet. But the 1997 vintage, which we opened this week for out-of-town visitors from Canada and England, was, to my mind, perhaps the single most compelling wine of Ed’s that I have ever tasted; it is rich, rich, rich (did I forget to say rich?) in complexity, flavor, and texture. To be blunt: it is a textbook-perfect wine at this age and stage of evolution. You may have read reports in Wine Spectator that the 1997 Napa Valley Cabs are beyond their prime, dried up, finished, kaput. Forget that nonsense. I have opened more than a dozen different 1997 Napa Valley Cabs this year from many different producers and they have been spectacular. In essence, don’t believe what you read, unless, of course, you read it here. But not a one of the dozen or so 1997 Napa Valley Cabs, which we opened this year, stroked my palate the way Ed’s 1997 Beringer Private Reserve Cab did. A 100-pointer any way you look at it.
  • 2006 Aterberry Maresh Pinot Noir, White Rose Vineyard
    I could write a sonnet, a book, an encyclopedia about my love for this extravagant, balanced, elegant, mature, brilliant Pinot Noir from the Willamette Valley in Oregon. I learned about this wine at The Tasting Room, in Carleton, OR, during a May visit. I have opened many bottles in my home and every one gets a forehead-slapping, “I can’t believe how good this wine is” remark from Napa Valley winemakers, visitors, friends, and knowledgeable sommeliers for whom I pour it. 96-98 points. Available at The Tasting Room, Carleton, OR, at 503-852-6733. Or from the winery. Speak with talented winemaker Jim Arterberry Maresh at 503-434-7689.
  • 1990 Ridge Montebello Mataro
    Brought to dinner at one of my favorite Napa Valley restaurants, Bistro Don Giovanni, by one of my favorite wine-sharing friends, was this stunning, ethereal, syrupy rich wine, made almost exclusively from the Mataro (Mourvedre) grape. Call it the existential libation: "How do they get an 18-year-old wine to taste like a 3-year-old wine?" The wines from Paul Draper at Ridge continue to confound; even at 15... 20... 25 years... they are young, young, even younger. Is there a Ridge genie who goes around topping up older bottles with youthful juice while we sleep? How the hell does Draper do it?? A fabulous wine, screeching of fresh, youthful cherries, ambitious young fruit -- and yet the wine in the bottle is 18 years old! Easily a 97-point wine. Thanks for bringing it to dinner, Homer!
  • 1959 Jaboulet Cote Rotie, Les Jumelles
    Took this rare, 48-year-old wine to Redd restaurant, in Yountville, and experienced no disappointments as you might anticipate them from a wine of this age -- still sealed with the original cork. The wine, purchased from Garagiste, in Seattle, a year ago, was bright garnet in color with virtually no fading and no paleness at the rim. On the nose, the wine showed signs of well ridden saddle leather. We chose not to decant and after about a half-hour, the wine went into a phase of aromas which included a typical Syrah-ness. On the palate, the wine exhibited Burgundy characteristics, reminding me very much of a 64 Vosne Romanee. Toward the end of the meal (awesome braised lamb snippets with housemade pappardelle), the Syrah showed elements of black cherry and licorice that were not earlier noted. An inspiring wine, making those at the table think back to where each of us was in 1959 when the fruit for this bottle was harvested. 93 points. And worth every Garagiste penny.
  • 1997 Robert Mondavi Stags Leap District Cabernet Sauvignon
    Deep, dark and delicious, exhibiting rich, ripe black fruit flavors. 10-years-old and at its prime. Surprisingly syrupy, with a velvet mouthfeel. A 97-point wine any way you look at it.
  • 2004 Olabisi, Suisun Valley Syrah
    A powerful wine from Ted Osborne, 100 percent Syrah. Rich aromas of earth and dark ripe fruit lift from the glass. There is deep extraction, lots of spice and dark cherry in the middle palate, and great depth of flavor on the finish. A serious Syrah, but it doesn’t cost like one - $30 retail. They ran through a case quickly at Gary Danko in SF. 91 points.
  • 2003 Joseph Phelps Cabernet Sauvignon
    Served at dinner at a friend's home with a series of other Cabs, this was the wine that stood out for the evening. Gorgeous mouthfeel, almost silken; lush fruit, supple texture and a pleasing finish. 92 pts.

Books that I have enjoyed

  • Steve Toltz: A Fraction of the Whole
    A wonderful, fun contemporary romp through the eyes of a wholly (nothing fractionated here!) dysfunctional Australian family. Steve Toltz, for whom this is a debut novel, had me laughing out loud to myself many times (the first sign of a GREAT read, or the early warning sign of serious mental instability to follow, take your pick). Imagine: you pour into a blender the novels of Kurt Vonnegut (Cat’s Cradle, et al), Tom Robbins (Even Cowgirls… Frog Pajamas, etc.) Evelyn Waugh (Black Mischief), John Irving (take your pick…) , Jonathan Safran Foer (Everything is Illuminated) , Voltaire (Candide) and pulse on High for 1 minute; remove cover, season with a bit of Malraux (Man’s Fate) and perhaps some H.L. Mencken (any of his backhanded witticisms) and voila! – you have Steve Toltz and A Fraction of the Whole! Ingest slowly to make the flavors last. I haven’t had as much fun reading a book since the early days of Vonnegut. Even though the book is 530 pages, I never raced through sections and, instead, found myself savoring every word. I didn’t want this book to end from Page 1. The plot twists and turns unexpectedly and the reader will never guess what’s coming up because Toltz has an inventive spirit, creating characters when he needs them to move the story along. (*****)
  • Chandler Burr: The Perfect Scent
    Only the New York Times could dream up – or justify – having a writer who specializes in perfume – a scent columnist! I love Chandler Burr’s writing, especially his evocative, florid, colorful, imagery-rich descriptions of commercial perfumes. They should let this guy loose on restaurants – he’d make a killer reviewer. I read Burr’s previous book, The Emperor of Scent, and was dazzled by that story, a review of contemporary attempts to explain how we smell things, the last of our senses to be scientifically explored. We know how we see, we know how we hear, but, in truth, we haven’t got a fucking clue how we smell things! Now comes Burr’s best work, a stunning overview of the commercial perfume industry – The Perfect Scent (Henry Holt & Co.). This is the story of how Coty launched Sarah Jessica Parker’s perfume, Lovely, and how, at the same time, Hermes launched Un Jardin Sur le Nil – both told from Burr’s insider vantage. Both large commercial houses let Burr sit in on ALL aspects of the development of these perfumes. There are tons of wonderful, gossipy elements, scientific explanations of how they make perfume, gorgeous descriptive paragraphs in which Burr disses many popular perfumes. An example? “Yves Saint Laurent poured a river of money into launching M7, created by the star perfumers Alberto Morrilas and Jacques Cavallier of Firmenich. M7 smells like a Fiat engine engulfed in flame on a shoulder of the A6, an alarming chemical storm of burned rubber, charred metal, torched leather and toxic melting polycarbon. This is not necessarily a criticism; it was a well constructed, thoughtfully built scorched car in flames. But people stayed away by the million, and the scent was a disaster.” If you love good writing, have an interest in food or the industry that propels it to your table, this book is a good corollary backgrounder. For many of the firms, which I have hired to flavor the 8,000 food products that I have brought to market, are the same ones (IFF, Givaudan, etc.) that scent the perfumes that whisper behind your ear. And much of the way they invent new perfumes is how we invent new food products – often with more concern for the packaging than for the product, which goes into it. The Perfect Scent is a wonderful, entertaining, richly written book. I can’t recommend it enough. (*****)
  • Richard Preston: The Wild Trees
    Half of all the living species in nature are unknown -- and even more bizarre, they live in forest canopies hundreds of feet above the earth in the planet's tallest trees, according to non-fiction writer Richard Preston. I have read everything Preston, who is a regular contributor to The New Yorker, has written, including The Hot Zone (about the Ebola virus scare...), for which he is probably best known. But in reality, his best works may be his two earliest; I LOVED his account of the Hale Observatory in First Light, and his take on Nuco Steel, in the book American Steel, was a classic. Preston's new book, The Wild Trees, is a perhaps too-detailed, but very compelling look, at the ecosystems abundant in the verdant, earth-filled canopies that are 200+ feet off the ground in the majestic redwoods of northern California. This is NOT one of those anti-logging treatises but, instead, is a positive spin on how fragile, how vital and how important is the biodiversity of the towering redwoods. Preston micro-paints his lead protagonists in such fine detail that we learn extremely intimate details of their lives and you find yourself asking, "How the hell did he get THAT piece of information out of the subject?" If you're into botany, biology, or Richard Preston as a writer, this book is a must-read. If you're interested in well-crafted sentences, colorful writing, or have a basic interest in tree hugging, this book could be for you, too!
  • Elizabeth Gilbert: Eat, Pray, Love
    Everyone around me was reading this book - my good friend Richard, my wife, our friend Wendy - so I picked up a copy. And couldn't put it down. This is a must-read diary of a woman who left her husband, her lover and her life in New York and hit the road for a year, one third of it spent in each of Italy, India and Indonesia. It has food, philosophy, laughs, and a textural richness not often found in non-fiction. Each one of us, hooked on this book, read the last third more slowyly than the first; we didn't want this search-for-self saga to end. (*****)
  • Bill Buford: Heat
    A compelling, and fabulously written, book about Mario Batali. The writing is as colorful as the chef. (*****)
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February 24, 2008

Enlightened about Darkness! 6th Annual “Death by Chocolate” Festival at COPIA

There are 199,000,000 links to “chocolate” on Google and there were just about as many references – and chocolate samples – at COPIA this weekend, where the 6th annual “Death by Chocolate” Festival was held.

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Children who attended the day-long chocolate event loved the chocolate fountains – one gushing dark chocolate, one gushing white chocolate.

COPIA, in case you have been in a chocolate-induced coma for the past decade, is the American Center for Food, Wine and the Arts, in Napa. How appropriate that the center, known mostly for wine, hosts this annual deep, dark, delicious chocolate event, because it turns out that chocolate has many of the same properties as wine.

For starters, dark chocolate has many of the same antioxidants as wine and the raw ingredient – cacao – even has healthful antibacterial agents.

“Our roasted chocolate nibs have nearly 65 times more antioxidants than broccoli,” says Shawn Askinosie, who attended the event. You’re going to hear more about this extraordinary chocolate maker from Springfield, MO, in the paragraphs that follow, so pay attention. Hint: He’s on the final exam.

What’s more, chocolate is easily as complex as wine; taste any three of the hundred small-batch, artisanal chocolates sampled at COPIA and you’d be shocked at the differences in mouthfeel, flavor, attack, release, length and finish – terms customarily used to describe wine. But they work just as well for chocolate.

The Festival this year was punctuated by a series of seminars, panels, and workshops, and concluded with a three-hour walk-around wherein 800 attendees sampled the best premium chocolates and chocolate-based confections made in America. Imagine – no limits, as many of the best chocolates as you could eat for nearly half-a-day! This was an assignment that Napaman had been dreaming about for weeks in advance.

In fact, I found myself in training for the event, having purchased a kilo of premium chocolate (70% cacao) from Italy to better understand what American chocolate makers – and chocolate consumers – are up against.

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Napaman’s Gold Standard

The chocolate that I hold as a standard to beat is the tablet from Amedei, in Tuscany, whose Venezuelan-based chocolate, called Chuao, is a gold-medal winner in my humble, cacaoic opinion. (I made that word up, so don’t look for it in your online dictionary.)

I love the unctuous, complex, caramel reveal as the Chuao slowly melts on your tongue; I love the chocolate’s gorgeous, velveteen mouthfeel, and long, lingering finish filled with plum and dried fruits. Like a good wine. The acidity in the Chuao chocolate is perfect, too. It leaves your palate clean and you hankering for another gnaw at the bar.

My pleasure at COPIA was finding three stunning American-made chocolates that, in their own way, are also standards to beat, and one of them is quite simply, the best chocolate in America.

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# 1 bar in America, according to Napaman

The Askinosie 70% cacao dark chocolate made with beans from San Jose Del Tambo, in Ecuador, is a stunning chocolate achievement, particularly as this single-origin chocolate contains no lecithin (an emulsifier usually added to commercial chocolates for mouthfeel) or vanilla (natural or artificial, usually added to boost flavor and length of finish).

The ingredients of this exceptional bar are simply: cocoa beans, sugar, cocoa butter. Period. You start with great stuff, you wind up with great stuff.

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Shawn and Caron Askinosie produce what I believe is the best chocolate made in America. Caron’s blue gloves, by the way, are NOT a fashion statement, but were worn so that she could hand out single-origin chocolate drops that were the size of rhinestones that Dolly Parton would wear.

Shawn Askinosie, a former criminal lawyer, recently left a successful 20-year law practice to start making chocolate (he never lost a case – so watch out Hershey because he’s approaching chocolate-making with the same energy and determination!). Shawn’s M.O. is to find small, regional bands of cacao growers, encourage them to grow, ferment, and dry their beans in a particular way, and then actually share the revenue stream with them on an open-book basis. A one-man version of Ben & Jerry. Though it’s hard to tell if Shawn is the Ben or the Jerry in this scenario. What we do know is that his chocolate brings as much pleasure -- and as wide a smile – to one’s face as any Ben & Jerry flavor.

My tasting notes on the Askinosie Ecuador-based bar: “Light cigar aromas on the nose and early on the palate as the chocolate starts to melt; on the attack, flavors of forest floor and deep unsweetened cacao, followed by a rifle barrel-focused intensity of ethereal dark chocolate robed in velours. Sensationally complex from start to finish. This is the Romanee-Conti of American Chocolate.

Choc_photo_at_the_chocolate_walka_9
Gary Guittard, 4th generation family member, President of Guittard.

I rediscovered my favorite San Francisco-made chocolate, brought to COPIA by fourth generation chocolate maker Gary Guittard. I recently conducted a thorough tasting of virtually all the premium chocolates in America for a consulting project and rated Guittard’s 65% cacao, Sur Del Lago, Venezuelan chocolate in my top three.

Choc_sur_del_lago_guittard
Sorry for the opened bar; I needed a chocolate fix and opened this bar, which I’d bought for the photo shoot.

I love the complexity of this bar, the rich, red fruit aromas, the stunning, slow release of different chocolate notes and the acidity, which zips up the finish. And then, after that very last swallow, there’s a twinkle of lingering astringency, as though you’ve just had a cup of great Irish breakfast tea.

Scharffen_berger_logo

Often I find that food and wine writers, who are always chasing the “next new thing,” forget old friends and former favorites. I am as guilty as the next writer. I recall writing a story about John Scharffenberger and his sidekick/partner Robert Steinberg just after they started up Scharffen Berger Chocolate. I recall loving their energy, dedication and chocolate. The pair went on to reap a huge public following and last year, Hershey bought them out.

At COPIA, I revisited the “blue label” Scharffen Berger 70% Cacao dark chocolate, which is a blend of eight different beans. This bar has great length, is extremely satisfying, and strolls to the finish line with a measured, well paced, chocolate intensity. It has what you might call a chocolate cadence, a sequence of perfectly paced tastes throughout the melt, chew and swallow.

Discover Chocolate Seminar

Before they let guests loose on the 39 chocolate makers, vendors and retailers who were present, COPIA hosted a series of morning seminars and panels to help consumers better understand the world of chocolate.

Choc_new_clay
Clay Gordon, who calls himself “the Robert Parker of chocolate,” leads a morning tasting session at COPIA. Five kinds of chocolate at 10 am – my kind of schooling.

Clay Gordon, originator of chocophile.com and author of Discover Chocolate, led a tasting of different chocolates and confections to explain different methods of manufacturing and offered hints of what to look for when tasting chocolate.

About the growing use of numbers to sell chocolate (you often see a 65%, or 70%, or even 85% figure, in the corner of many premium bars, proclaiming the percentage of cacao in the bar), Gordon had this to say:

“This is strictly a marketing gimmick. The number tells you nothing about the quality of the chocolate. At best, this is a disingenuous practice, at worst, deliberately misleading.”

Gordon went on to give a wine analogy. “You wouldn’t go to a wine store and ask for a 15.5% alcohol wine, or a 14.7% alcohol wine because it tells you nothing about the quality of the wine… so why would you go to a store and ask for a ‘70% cacao’ chocolate bar?”

Gordon said that somehow, marketers have convinced consumers that 70% cacao is a relevant and important number and that bars containing smaller percentages of cacao are to be dismissed.

Gary Guittard had much to say about the same subject in his seminar, which followed.

Guittard Tasting Seminar

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Gary Guittard

Guittard said that the rush to use numbers to quantify the percentage of cacao in chocolate bars, a practice of which his own company is guilty, is both meaningless and misleading. (Give the guy credit for two things: He makes great chocolate and he’s also bluntly honest.)

Guittard dispelled another myth in his seminar that is worth sharing: “There is no industry-regulated use of the terms ‘semi-sweet’ and ‘bittersweet.’ One company’s ‘semi-sweet’ chocolate may be another producer’s ‘bittersweet.’” Essentially, these are (mostly) subjective expressions of sweetness levels in chocolate. The federal labeling requirement that touches on this matter says that chocolate called 'dark,' 'bittersweet,' or 'semisweet' must contain a minimum of 35 percent cacao and less than 12 percent milk solids (more milk solids than this and the chocolate has to be called milk chocolate). Beyond this, labeling is left in the lap of the manufacturer, which is why the terms 'semi-sweet' and 'bittersweet' appear to be interchangeable once the minimum levels are met.

The Future of Chocolate - Expert Panel

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From left to right, Shawn Askinosie, Timothy Childs, Gary Guittard and Chuck Siegel; their respective affiliations are listed on the slide above them; they assembled to discuss fair trade and issues related to organic certification.

In one of the morning’s more interesting sessions, four chocolate experts gathered to discuss relevant issues that are alarming the industry.

Foremost is the increased demand for chocolate and the shortfall in world production.

Clay Gordon, who moderated the panel, said: “The world produced 3 million metric tonnes of chocolate last year – but this was a shortfall of some 250,000 metric tonnes.”

Interpretation: Look for dramatic price increases for your favorite brown treat.

And the price increases are only going to get worse as China and India become mainline chocolate consumers. The experts are talking about a worldwide demand for chocolate that may grow by 50 percent over the next few years.

And no one’s planting more Theobroma cacao trees to meet the anticipated demand. They probably couldn’t even if they wanted. For one thing, cacao trees only grow in a narrow band about 15 degrees north and south of the equator. No matter how much the super industrious wine growers in Napa Valley and Sonoma want to convert their vines to grow cacao, it just ain’t gonna happen.

During the session, Timothy Childs, of TCHO Chocolate, pointed out that “most cacao farmers never taste the finished chocolate whose raw materials they supply. We intend to change this.”

Childs, like Askinosie, takes a hands-on approach to producing chocolate and wants to rewire the way chocolate commerce has traditionally been conducted. These producers want to know their farmers, want to share revenues with them, want to oversee production from farm to finished good. They are mavericks in a world dominated by “the big guys,” like Hershey, Nestle, Callebaut.

But every industry has a pioneer or contrarian, and often times, they go on to great success. Look at Michael Dell, who transformed the way computers were sold. Maybe, just maybe, these boot-wearing, forest-stomping, chocolate contrarians will start a revolution to change the chocolate industry’s dynamic.

The good news is that even if they don’t succeed in changing an entire industry, consumers can still enjoy the labors of their work; their bars are world class, as the tasting at COPIA proved.

Other brown highlights at COPIA

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Mona Keady, the bright light behind Raffiné, a Danville, CA-based confection company, makes filled chocolates. Note: Mona, like many exhibitors at the COPIA chocolate event, doesn’t make her own chocolate; she buys chocolate from producers and further adds her own touch – liquid centers, ganache fillings, etc. Within the “chocolate industry,” a distinction is made between “chocolate makers,” who take cacao beans and process them into finished chocolate, and “confectioners,” who take some one else’s finished chocolate and further process it to make their own tasty creations. One such chocolate confectioner is Michael Recchiuti, of San Francisco, who did not participate in the COPIA event, but who is a stunning – and glaring – example of someone who takes chocolate from “chocolate makers” and turns it into some of the most flavorful chocolate confections made in America.

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Timothy Childs, chocolate maker, and Zohara Mapes, assistant chocolate maker, at Tcho Chocolates. They are conducing a crazy, vote-on-line focus group, asking consumers to register their comments about several un-launched chocolates. The chocolates displayed for comment at COPIA, two rather granular, Ghanaian offerings, were not inspiring. But word is that TCHO will launch several formal, packaged chocolates this spring, and we look forward to reviewing them then.

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Kelliann Reginato and Jessica Bell from LaLoos Goat’s Milk Ice Cream Company were on hand to serve two flavors of chocolate ice cream – Deep Chocolate and Chocolate Cabernet – made with goat’s milk at the Sonoma Country dairy. I know, sounds weird, “chocolate-flavored goat’s milk ice cream.” But it tasted great and was a pleasing intermezzo from all the heavy-duty, industrial-strength, astringent chocolate everyone else was serving.

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